Comments (8)

  1. Very Best of [Vinyl LP] von Louis Armstrong and Sy Oliver & His Orchestra. Cold Cold Heart von Louis Armstrong and Sy Oliver & His Orchestra. But you are also interested in and probably like Satchmo. Louis Armstrong was revered by all the jazz giants of the 30s 40s and later. If Duke Ellington thought he was the man, I have nothing.
  2. Jun 24,  · CD Satchmo Serenades | Verve, by Request, | "(When we are dancin') I get ideas" | Dorcas Cochran, Lenny Sanders - authors | Sy Oliver - arranger, conductor | Louis Armstrong - vocals, trumpet.
  3. Louis Armstrong With Orchestra Directed By Sy Oliver ‎– Satchmo Serenades Label: Brunswick ‎– LA Format: Vinyl, 10", 33 ⅓ RPM, Album Country: South Africa Released: Genre: Jazz. Style: Tracklist. A1 (When We Are Dancing) I Get Ideas.
  4. Vinile Fonit Records E.P. 4 pezzi: Louis Armstrong with orchestra directed by Sy Oliver Lato A: 1 (When we are dancing) I get ideas 2 A kiss to build a dream on Lato B: 1 Cold, cold, heart 2 Because of you Made in Italy In buone condizioni.
  5. Album · · 18 Songs. Available with an Apple Music subscription. Try it free. Louis Armstrong and His Orchestra. PREVIEW When You're Smiling (The Whole World Smiles with You) [With Intro] Louis Armstrong & Sy Oliver and His Orchestra.
  6. Satchmo Serenades was originally comprised of sessions recorded between and It's a pleasant collection of ballads and midtempo romantic tunes, highlighted by the instrumental sections where Armstrong glides with the lush arrangements. When Satchmo serenades, his voice is a little too rough and sly to be truly seductive, but it's nevertheless charming, and while this album is hardly 6/
  7. Louis Armstrong With Orchestra Directed By Sy Oliver: Louis Armstrong With Orchestra Directed By Sy Oliver - Satchmo Serenades ‎ (CD, Comp, RE, RM, Dig) Verve Records, Decca: , DL US: Sell This Version4/5(4).
  8. Because of this, the film’s director, Laslo Benedek, hired Leith Stevens to write the score. Here, a year before Private Hell 36, Stevens already has a firm grasp on the contemporary big-band jazz idiom, his scores bursting with ideas and holding together well simply as music divorced from the film’s images. Many of the same musicians.

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